In 1951, the Sojourners for Truth and Justice wrote ‘A Call to Negro Women’ to protest the violence, racism, and sexism that Black women experience. Around 130 Black women joined them in Washington, DC to demand justice, safety, and freedom. In this zine, Ashley Farmer and I write essays about the significance of the Sojourners for Truth and Justice in the development of Black feminism and the legacy of Black women freedom fighters. The zine was designed by Jordan De Loach.  The zine can be viewed online here.

For those who want to download the zine and share it with others, I only ask that you make sure to credit me for it. You can access it for downloading here. If you want to read the original Call to Negro Women, you can here.

Since I’m currently on vacation for the next couple of people, I’ll try to post more regularly. I am excited to share a new book from my friend and comrade Andrea Ritchie that was just released last week. Invisible No More: Police Violence against Black Women and Women of Color explores how Black women, Indigenous women, and women of color experience racial profiling, police brutality, and immigration enforcement.

I am honored to have written a foreword for the book. Here are a few words from that:

“By centering the experiences of girls and young women of color Invisible No More extends and enlarges the carceral landscape, insisting that we consider the streets, schools and the home as sites of oppressive policing. Previously obscured, sexual and reproductive violence come into view. Invisible No More also argues that paying attention to these issues expands and transforms how we consider policing. As more people address the ever-expanding prison industrial complex (PIC), this book finds itself in dialogue with others addressing the history and impacts of mass incarceration on women of color (particularly Black women and girls). After all, the police are the gatekeepers of the PIC. But racialized gender violence doesn’t stop with police.

This book doesn’t just document police violence against women of color, nor does it simply offer policy prescriptions to reduce the harms of oppressive policing. Invisible No More is also an invitation to resistance to each of us, and will serve as a long overdue and invaluable resource to anchor and inform the efforts of young people organizing today against state violence in all its forms.”

I recommend reading this book. You should take care as you do read it because it is a lot to process. You can learn more about the book at its website.

You can listen to Andrea speaking about the book on the Lit Review podcast.

March is Women’s History month. It’s fitting that the Afro-American History Society (AAHS) has published my essay on Laura Scott in its spring newsletter. I am so excited that Laura’s story will be read by a whole new group of people.

You can read the newsletter HERE

Bertillon Card of Laura Scott (1908) – from my collection

I don’t have time to blog anymore. I’m working all of the time and my life is in transition. I miss the daily practice of blogging. I hope to get back to it in a few weeks.

This Wednesday marked the 1 year anniversary of Marissa Alexander’s release from prison into a 2 year sentence of home confinement/probation. She has one more year to go before she can claim more freedom. For the occasion, Marissa recorded a message to her supporters to update us on how she’s been faring. Watch her message below.

Regular readers of this blog know that I spent many months working to help #FreeMarissa as part of the Chicago Alliance to Free Marissa Alexander (CAFMA), a group that I co-founded. As a way to honor Marissa and to lift up the organizing of CAFMA, my friend Tom Callahan and I produced a short film that we released on Wednesday afternoon. Watch it below.

I am so grateful that Marissa is out of prison. I look forward to next year when she is free from home confinement and probation. I am grateful to the Free Marissa Now Mobilization Campaign and to everyone who came together to make sure that Marissa could be with her children and family. Thank you.

I just came across this wonderful new song and video by Taina Asili called “Freedom.” Watch it, it’s beautiful and makes connections between oppressive policing and mass incarceration

I started my research on Laura Scott’s life four years ago. I came across her mug shot, purchased it and was curious about who she was. Last year, a woman named Barbara reached out to ask if she could publish an abridged version of the zine I wrote about Laura’s life in the newsletter of the Afro-American History Society. I agreed of course and it will appear in early March.

Later, Barbara shared some information that she found on Ancestry.com. She’d come across a Laura Scott born Nov. 1867 in Alabama living in Galveston, TX according to the 1900 Census. She was listed as married, a dressmaker and living with a sister-in-law named Mattie Bridges. Barbara added: “Awfully close to the facts about your Laura Scott. If the same person, Laura may have left for California after the devastating hurricane struck the city. Could also explain the train tickets to El Paso.” In my original research, I’d missed this possible clue about Laura Scott. Armed with this new information, I am able to revise what I previously wrote about Laura’s possible travels prior to arriving in California.

Revised Information

Laura Scott was born in Alabama in either 1867 or perhaps 1868. Her exact birth date is unknown because there are various ages listed for her on different documents. In addition, Laura Scott was divorced and the surname she used may not be her maiden name. San Quentin prison records list her age as 37 years old in 1905 and then as 40 years old in 1908. Her Bertillon criminal card lists her age as 40 years old in 1908. However, two years later, the 1910 Federal Census where she appears as a prisoner at San Quentin lists her age as 38. She is identified as being 28 years old in a 1907 Los Angeles Herald newspaper article covering her second trial. Searching Ancestry.com, according to the 1900 Census, a Laura Scott born in November 1867 in Alabama was living in Galveston, Texas with her sister-in-law named Mattie Bridges. It’s possible that this could be the same Laura.

Year: 1900; Census Place: Galveston Ward 7, Galveston, Texas; Roll: 1637; Page: 15A; Enumeration District: 0127; FHL microfilm: 1241637

It was common for many people in that era not to be certain of their exact date of birth. The question is whether it is more plausible that Laura Scott would inflate her age when she was younger or whether she would decrease her age as she got older. By all appearances, it seems that Ms. Scott paid close attention to her looks. Her outfits in her mug shot photos attest to this. Therefore one would infer that the San Quentin prison documents and the Bertillon card were probably more accurate than the 1910 Federal Census or a newspaper article.

When Laura Scott left Alabama, she was leaving behind a mostly rural, poor, and deeply racist society. It is possible that Laura left Alabama during a migration of black people that began in the late 19th century. For a black woman like Laura, Alabama must have felt deeply oppressive and constraining. An adventurous woman like Laura Scott would probably have seen Los Angeles as “the land of milk and honey” by contrast. For whatever reason, Laura Scott did not feel a need to remain in Alabama. At some point she made her way out West, perhaps stopping in Galveston, Texas. Information for the 1900 Census was collected in June of the same year. In early September 1900, Galveston was struck by a terrible hurricane that decimated the city and left up to 8,000 dead. If Laura was in fact living in the city at the time, it’s possible that this natural disaster led her to make her way to California. It is unclear, however, when she first arrived in California. We do know that she was living in Los Angeles in  1905 when she was arrested for larceny.